issues

The Digital Museum: A Conversation between Loic Tallon and Julia Kaganskiy (Part II)

The Digital Museum: A Conversation between Loic Tallon and Julia Kaganskiy (Part II)

 

The Art of the Prototype: Museums and Technology

The Art of the Prototype: Museums and Technology

 

Analia Saban: Abject Inventions

Analia Saban: Abject Inventions

 

Cloth is a Battleground in Stephanie Syjuco’s “CITIZENS”

Cloth is a Battleground in Stephanie Syjuco’s “CITIZENS”

 

The Digital Museum: A Conversation between Loic Tallon and Julia Kaganskiy (Part I)

The Digital Museum: A Conversation between Loic Tallon and Julia Kaganskiy (Part I)

 

Dematerializing the Memorial: An Interview with Maya Lin

Dematerializing the Memorial: An Interview with Maya Lin

 

Assessment as Dialogue: Shifting Power Dynamics in the Classroom

Assessment as Dialogue: Shifting Power Dynamics in the Classroom

 

Philadelphia Illuminated

Philadelphia Illuminated

 

Seven Strategies for the Studio Art Class

Seven Strategies for the Studio Art Class

 

Making Paper: Hong Hong’s Performative Process

Making Paper: Hong Hong’s Performative Process

 

Invention vs. Innovation

Invention vs. Innovation

 

Climate Change & Data Drawings: An Interview with Maya Lin

Climate Change & Data Drawings: An Interview with Maya Lin

 

Objective Truth vs. Subjective Perception

Objective Truth vs. Subjective Perception

 

Recreating What’s Lost: Pamela Mason Wagner on Shooting Reenactments

Recreating What’s Lost: Pamela Mason Wagner on Shooting Reenactments

 

A Fickle Trickster Screen

A Fickle Trickster Screen

 

A Safe Place

A Safe Place

 

Why Wishes Matter

Why Wishes Matter

 

Rachel Rose: The Artist as Researcher

Rachel Rose: The Artist as Researcher

 

Highway to the Sun: Truth and Fiction in Maureen Drennan’s Photography

Highway to the Sun: Truth and Fiction in Maureen Drennan’s Photography

 

Tomáš Rafa: New Nationalisms at MoMA PS1

Tomáš Rafa: New Nationalisms at MoMA PS1

 

Tommy Hartung’s Heart of Darkness: Mutant Artists, Fake News & Insta Filmmaking

Tommy Hartung’s Heart of Darkness: Mutant Artists, Fake News & Insta Filmmaking

 

Automating the Pain of Others: Susan Sontag and Facebook

Automating the Pain of Others: Susan Sontag and Facebook

 

Six Tips for Shooting Underwater Video

Six Tips for Shooting Underwater Video

 

Inside, Outside, Online: Dissecting social media, escape and identity

Inside, Outside, Online: Dissecting social media, escape and identity

 

Time-Traveling Through Music: Cambodia’s Lost Rock and Roll

Time-Traveling Through Music: Cambodia’s Lost Rock and Roll

 

An inner truth

An inner truth

 

Machine Drawing: Shantell Martin and the Algorist

Machine Drawing: Shantell Martin and the Algorist

 

Using Lies to Tell the Truth

Using Lies to Tell the Truth

 

Rise to Rust, Rust to Ashes, Ashes to Rise

Rise to Rust, Rust to Ashes, Ashes to Rise

 

Decay: Ecology of a Nurse Log

Decay: Ecology of a Nurse Log

 

ruminations on rust

ruminations on rust

 

Photographing Philly’s Streets

Photographing Philly’s Streets

 

Rust, Decay and Decomposition: Four Artists to Teach With

Rust, Decay and Decomposition: Four Artists to Teach With

 

Meditative Rigor: The Work of Neha Vedpathak

Meditative Rigor: The Work of Neha Vedpathak

 

On Rust: Roundtable Discussion #2

On Rust: Roundtable Discussion #2

 

All Objects Are Slippery: Excavations in Santa Barbara County

All Objects Are Slippery: Excavations in Santa Barbara County

 

Recycled Brilliance: Philadelphia’s RAIR

Recycled Brilliance: Philadelphia’s RAIR

 

The Art of Letting Go: An Interview with Two Ephemeral Artists, John Steck, Jr. and Richard Barlow

The Art of Letting Go: An Interview with Two Ephemeral Artists, John Steck, Jr. and Richard Barlow

 

Documenting Detroit: Scott Hocking & Bree Gant

Documenting Detroit: Scott Hocking & Bree Gant

 

Investigation: Where Art Meets Science

Investigation: Where Art Meets Science

 

On Rust: Roundtable Discussion #1

On Rust: Roundtable Discussion #1

 

Mohamad Hafez’s Complex Models of Syrian Devastation

Mohamad Hafez’s Complex Models of Syrian Devastation

 

Ingenuity Never Left: Rust in Detroit

Ingenuity Never Left: Rust in Detroit

 

Thank You For Coming: Talking with transdisciplinary performance artist NIC Kay about balance, Blackness, and hope

Thank You For Coming: Talking with transdisciplinary performance artist NIC Kay about balance, Blackness, and hope

 

In the swim of things: a conversation on the poetics and politics in He Xiangu’s debut film

In the swim of things: a conversation on the poetics and politics in He Xiangu’s debut film

 

The Practice of Walking: Somewhere Near Zabar’s

The Practice of Walking: Somewhere Near Zabar’s

 

How to Collaborate with Nonprofits: A Playbook for Participants

How to Collaborate with Nonprofits: A Playbook for Participants

 

Touch/Don’t Touch

Touch/Don’t Touch

 

Thoughts I Had While Trying To Do Vrksasana (Tree Pose) In Yoga Class

Thoughts I Had While Trying To Do Vrksasana (Tree Pose) In Yoga Class

 

Thoughts I Had While Trying To Do Vrksasana (Tree Pose) In Yoga Class

Thoughts I Had While Trying To Do Vrksasana (Tree Pose) In Yoga Class

 

A Farewell to the Global Museum?

A Farewell to the Global Museum?

 

“The artist has to be down on the ground”—An Interview with Monica Trinidad

“The artist has to be down on the ground”—An Interview with Monica Trinidad

 

“The artist has to be down on the ground”—An Interview with Monica Trinidad

“The artist has to be down on the ground”—An Interview with Monica Trinidad

 

Tracing the Out-of-Sight: Cristina Camacho’s Symmetrical Tensions

Tracing the Out-of-Sight: Cristina Camacho’s Symmetrical Tensions

 

Tracing the Out-of-Sight: Cristina Camacho’s Symmetrical Tensions

Tracing the Out-of-Sight: Cristina Camacho’s Symmetrical Tensions

 

Art on the Border

Art on the Border

 

Art on the Border

Art on the Border

 

“Balance In B-Flat Minor”

“Balance In B-Flat Minor”

 

“Balance In B-Flat Minor”

“Balance In B-Flat Minor”

 

Implicit Politics: August Sander and the Fallacy of Objectivity

Implicit Politics: August Sander and the Fallacy of Objectivity